精品推荐 —— 哥釉青花花鸟纹辅首瓶

Ge Glazed Blue and White Flower Bird Pattern Auxiliary Head Bottle

*本次藏品 哥釉青花花鸟纹辅首瓶

典藏尺寸：高32.5cm 上口径14cm 底径12.5cm

哥窑是宋代五大名窑之一，它与汝、官、定、钧窑齐名，是为宫廷烧造御器的官窑瓷器，其产品历来珍贵。作为宋代五大名窑之一的哥窑，特点是里外披釉，均匀光洁，晶莹滋润，不仅扣之瓷音清亮，而且造型挺拔大方，轮廓亦柔和流畅。属于青瓷系的哥窑器，以釉色取胜。自宋以来，历朝历代皆传承哥窑釉色和纹片，以烧制精美器物，为同宋代哥窑器物相区别，称其为哥釉器物，即哥釉。

明代宣德时，宫廷藏品目录《宣德鼎彝谱》即有“内库所藏柴、汝、官、哥、定”的记载，清代乾隆皇帝更将哥窑瓷器视为珍品。皇甫录在《皇明纪略》一书记载了这样一段话：都太仆言，仁宗监国，问谕德杨士奇曰：“哥窑器可复陶否？士奇恐启玩好心，答曰：“此窑之变不可陶，他日以问替善王汝玉。”汝玉曰：“殿下陶之则立成，何不可之有？”仁宗喜，命陶之，果成。士奇不悦。这段记录表明，至少在永乐时期就已经开始仿制宋代名窑了。清代康熙、雍正、乾隆时期唐英《陶成纪事碑》有“仿铁骨哥釉，为模仿宋哥釉之特色”。《景德镇陶录》也有：“哥窑，镇无专念者，惟碎器户兼造，遂充称哥窑户”的记载。

Ge Kiln is one of the five famous kilns of the Song Dynasty. It is on par with the Ru, Guan, Ding, and Jun kilns and is an official kiln porcelain used for firing imperial ware for the court. Its products have always been precious. As one of the five famous kilns of the Song Dynasty, Ge Kiln is characterized by a glaze covering on the inside and outside, which is uniform and smooth, crystal clear and moist. It not only has a clear and bright porcelain sound, but also has a straight and generous shape, and a soft and smooth outline. Ge kiln ware belonging to the celadon family wins with glaze color. Since the Song Dynasty, various dynasties have inherited the glaze color and patterns of the Ge kiln, firing exquisite artifacts to distinguish them from the Ge kiln artifacts of the Song Dynasty. They are called Ge glaze artifacts, also known as Ge glaze.

During the Xuande reign of the Ming Dynasty, the imperial collection catalog "Xuande Dingyi Genealogy" recorded the "collection of firewood, ru, officials, ge, and ding in the internal treasury". Emperor Qianlong of the Qing Dynasty even regarded Ge kiln porcelain as a precious item. Huangfu recorded a passage in the book "Huangming Chronicles": "The Grand Servant said that Emperor Renzong was in charge of the country and asked Yang Shiqi, who was in charge of the imperial examination," Can we restore the pottery from the Ge kiln? The scholar was afraid of playing well and replied, "If this kiln changes, it cannot be restored. In the future, we will ask to replace the good king Ruyu." Ruyu said, "If the pottery under the palace is erected, why not have it?" Renzong was pleased and ordered the pottery to be restored, and it will be successful. Shi Qi is unhappy. This record indicates that imitation of famous kilns from the Song Dynasty began at least during the Yongle period. During the Kangxi, Yongzheng, and Qianlong periods of the Qing Dynasty, Tang Ying's "Tao Cheng Ji Shi Stele" had the characteristic of "imitating the iron bone glaze of Song Ge". The "Jingdezhen Tao Lu" also records: "Ge Kiln, there is no specialized person in the town, but only a household who also produces broken tools, hence it is called Ge Kiln household".

*本次藏品 哥釉青花花鸟纹辅首瓶

近期我公司征集了一件哥釉青花花鸟纹辅首瓶，该瓶高32.5厘米，上口径：14cm，底径：12.5cm，胎骨坚致，施米黄色釉，犹如“酥油”般的光泽，褐色纹线，清冷幽润。纹片呈“通经断纬”状，如鱼籽，似百圾，细密紧凑。细看纹线有深浅之分，粗线深褐，细线浅褐，表明被岁月烟尘熏染之前是有金丝铁线之别的。经历二三百年岁月，如今它已经波氧化出厚亮包浆。釉下气泡如珠隐现，殊为美丽。史载清中期民窑大量烧制哥釉铁花器物，此瓶当为其中之一。瓶肩有左石对称的铁花兽头辅首，铁褐疑重，不繁不乱，恰到好处。瓶之盘口顶大，线条流畅，造型园泽而不失古朴之气。腹部以青花绘画花鸟纹，绘画生动，布局高低错落，寓意万物繁荣，花开富贵。此瓶原配古旧木座保存完好，为清中期家具中案几普遍造型样式，鼓腿，壶门形曲线膨牙，托腮比台面路大，腿三夸而足外翻。木的幽幽清香依旧沁人心脾。原座原瓶，座面凹坑与瓶底足咬合自如，二三百年不离不弃，难能可贵。

Recently, our company has solicited a blue and white flower bird pattern auxiliary head bottle with a height of 32.5 centimeters, upper diameter of 14cm, bottom diameter of 12.5cm, firm fetal bone, and beige glaze, which has a luster like "butter", brown lines, and is cold and moist. The pattern is in the shape of "connecting the meridian and breaking the weft", like fish roe, like a hundred garbage, fine and compact. Upon closer inspection, there are different shades of lines, with thick lines being dark brown and thin lines being light brown, indicating that there was a difference between gold wire and iron wire before being infected by the smoke and dust of time. After two to three hundred years, it has now undergone wave oxidation to form a thick and shiny coating. The underglaze bubbles, like beads, are incredibly beautiful. In the middle of the Qing Dynasty, a large number of Ge glazed iron flower artifacts were fired in folk kilns, and this bottle should be one of them. The bottle shoulder has a symmetrical iron flower beast head and auxiliary head with a left stone, and the iron brown color is suspected to be heavy, not complicated or disorderly, just right. The top of the bottle's rim is large, with smooth lines and a sleek and rustic design. The abdomen is painted with flower and bird patterns in blue and white, which are vivid and arranged in a staggered pattern, symbolizing the prosperity of all things and the prosperity of flowers. The original antique wooden base of this bottle is well preserved, and it is a common design style for table tables in mid Qing furniture. It has bulging legs, a curved spout shaped teapot door, and a larger supporting gill than the tabletop. The legs are three times curved and the feet are turned out. The faint fragrance of wood still refreshes the heart. The original seat of the original bottle, with its concave surface and smooth engagement with the bottom of the bottle, has been unforgettable for two to three hundred years.

*本次藏品口径                       *本次藏品底款

器身通体内外施釉，胎体结实厚重，胎色纯正厚温润，挺拔俊雅，方阔沉稳；遥想当时烧成出窑以后，冷却功夫掌握得宜，继而润其色，方得如此釉面开片。疏朗自然，仿佛琼玉整块琢成，胎土黝色，唯足可见，器型精致，工艺精稳古朴，线条流畅，工匠掌握了开片的制作工艺。哥釉艺术与工艺的发展成熟臻善，轮廓线条柔美绵延，简约雅绝，可谓超前同时期全球艺术几近千年，追求简约、功能性的艺术风格，澄泥为范，极其精致，油色莹澈，为世后珍，直径仍深厚影响当代艺术与工艺发展。

The body of the vessel is glazed both inside and outside, with a sturdy and heavy body, a pure and warm color, upright and elegant, square and wide, and steady; Looking back at the time, after being fired and fired out of the kiln, the cooling technique was mastered appropriately, and then the color was moistened, resulting in such a glazed opening. It is sparse and natural, as if it were carved into a whole piece of jade, with a dark soil color that can only be seen from the foot. The shape of the vessel is exquisite, the craftsmanship is stable and simple, and the lines are smooth. The craftsman has mastered the process of making open pieces. The development of Ge glaze art and craftsmanship is mature and perfect, with soft and continuous contour lines, simple and elegant, which can be said to be ahead of the global art for almost a thousand years. The pursuit of simple and functional art style, with clear clay as the model, is extremely exquisite, and the oil color is clear. It is a treasure for the future, and its diameter still deeply affects the development of contemporary art and craftsmanship.

以上藏品相关信息请与：四川君再来拍卖集团有限公司联系。 

Please contact Sichuan Junzailai Auction Group Co., LTD for information about the above collections.